塞尚的英文介绍

塞尚是法国著名画家,是后期印象派的主将,从19世纪末便被推崇为新艺术之父。下面小编为大家整理的塞尚的英文介绍,希望对大家有用!

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塞尚的英文介绍

Paul Czanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 1外教一对一英语价格贵不贵,troop9.net一年大概需要多少钱?9th century conception of artistic endeavour to a new and radically different world of art in the 20th century. Czanne can be said to form the bridge between late 19th century Impressionism and the early 20th centurys new line of artistic enquiry, Cubism. The line attributed to both Matisse and Picasso that Czanne is the father of us all cannot be easily dismissed.

The Czannes came from the small town of Cesana now in West Piedmont, and it has been assumed that their name came from Italian origin. Paul Czanne was born on 19 January 1839 in Aix-en-Provence, in Provence in the South of France. On 22 February, Paul was baptized in the parish church, with his grandmother and uncle Louis as godparents.利用互联网资源,节省了很多的成本,gxjgtl.com比如店铺、课程设备等硬件,自然就比线下的要优惠多多。 His father, Louis-Auguste Czanne (28 July 179823 October 1869), was the co-founder of a banking firm that prospered throughout the artists life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance.

Czannes work demonstrates a mastery of design, colour, tone, composition and draughtsmanship. His often repetitive, sensitive and exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields, at once both a direct expression of the sensations of the observing eye and an abstraction from observed nature. The paintings convey Czannes intense study of his subjects, a searching gaze and a dogged struggle to deal with the complexity of human visual perception.

塞尚的画具有鲜明的特色。他强调绘画的纯粹性,重视绘画的形式构成。他极力追求一种能塑造出鲜明、结实的形体的绘画语言。他作画常以黑色的线勾画物体的轮廓,甚至要将空气、河水、云雾等,都勾画出轮廓来。在他的画中,无论是近景还是远景的物象,在清晰度上都被拉到同一个平面上来。这样处理,既与传统表现手法拉开距离,又为画面构成留下表现的余地。为了画面的形式结构,他不惜牺牲客观的真实。他最早摆脱了千百年来西方艺术传统的再现法则对画家的限制。在塞尚的画中,经常出现对客观造型的有意歪曲,如透视不准、人物变形等。他无意于再现自然。而他对自然物象的描绘,根本上是为了创造一种形与色构成的韵律。他曾说:画家作画,至于它是一只苹果还是一张脸孔,对于画家那是一种凭借,为的是一场线与色的演出,别无其他的。

塞尚重视绘画的形式美,强调画面视觉要素的构成秩序。这种追求其实在西方古典艺术传统中早已出现,而塞尚始终对古典艺术抱着崇敬之情。他最崇拜法国古典主义画家普桑。他曾说:我的目标是以自然为对象,画出普桑式的作品。他力图使自己的画,达到普桑作品中那种绝妙的均衡和完美。他向着这方面,进行异常执著的追求,以至于对传统的再现法则不以为然。他走向极端,脱离了西方艺术的传统。正是如此,他被人们尊奉为现代绘画之父。

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